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Books That Make Us Cry (Part One) Collected by Donalyn Miller
Thank you, Donalyn (and the whole of Nerdy Book Club), for this terrific post on the reading of sad books (and for your list of sure-fire tear-jerkers!). You put it so well, there’s no reason to try and rewrite it. It does, as you say, all seem “to be in the heart of the beholder”:
It’s hard to capture the appeal of sad books. I think we just want to feel things.“
Last spring, one of my fifth-graders, Heavenly, spent all of recess sitting under a tree finishing the final chapters of Lynda Mullaly Hunt’s One for the Murphys. Strolling around the playground, I gave Heavenly a wide berth when I walked near her reading spot. I knew where Heavenly was in the story and I didn’t want to intrude.
When Heavenly finished the book, she found me on the playground. I could see as she walked toward me that her eyes brimmed with tears. Remembering the ending and my own emotional response—and seeing Heavenly’s forlorn face—I began to sniffle a bit, too.
Heavenly wrapped me in a limp hug and cried. While I patted her shoulder, Heavenly and I whispered back and forth about the book’s conclusion and our hopes for the main character, Carley Conners’ future.
“Mrs. Miller, why do you always recommend sad books to me?” Heavenly asked.
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Rule-breaking Female Characters
Admittedly, I was a little unsure of what I would write about when Nathalie suggested this for our theme this week. I sat at the desk in our basement office, hoping for inspiration but instead re-arranged the pens in their various glass holders and stared at the blank wall in front of me trying to decide which would be a better fit: a mirror or an oversized framed print.
When I am stressed or anxious I like to lose myself among my shelves of books. In comparison to most serious book lovers, say for instance Nathalie, my collection is modest but I find something soothing about running my fingers along the spines of books, some of which have been with me for nearly two decades.
In an effort to procrastinate, I pulled my favourite chapter books from my girlhood and arranged them on the floor at the foot of my…
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Read Like You Mean It
Reblogged from Angelo State University’s Navigating Higher Ed blog:
Back when I was young and still played sports, a baseball coach told us our goal each day was to “practice like we mean it.” The idea, and it’s a cliché we’ve all heard before, is that championships might be won on the playing field but winning foundations are built in the weight room and at practice every day.
I’ve often thought we would be well-served to apply some athletic principles to academic activities.
Of course, it’s possible I just want to blow a whistle really loud during class and wear shorts to work.
The reality, though, is that hard work and intentionality transcend the activity in which you are engaged. There aren’t many jobs or hobbies where being lazy and haphazard helps you gain mastery. You might be the best athlete on the field or the smartest student in…
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Reading Free
Book bannings are as old as books themselves, but the fact that they persist into today’s America—an America packed with screens of every kind, screens allowing for easy internet access and thus access to any number of challenging, unusual, and even obscene materials—is simply mystifying to me. Yet still books are banned from schools and formally challenged by parents on a shockingly regular basis. Only this past September, Highland Park ISD (Dallas, TX) Superintendent Dawson Orr approved the suspension of seven books: The Art of Racing in the Rain; The Glass Castle; The Working Poor: Invisible in America; Siddhartha; The Absolutely True Diary of a Part-Time Indian; An Abundance of Katherines; and Song of Solomon.
To Orr’s credit, however (and after some impressive backlash from alumni, students, national media, and other parents), he canceled the suspension.
(qtd. from Melissa Repko’s “Highland Park ISD reverses book suspensions at high school“)
And while it’s upsetting, baffling, and ludicrous to ban books from students (at least in my humble opinion) in any circumstance (after all, if a book is really that troubling to a student, then let the student decide for themselves and ask for a substitute—not the parents), it is still impressive to see a leader not only take responsibility for a poor decision, but also take swift action to correct the mistake. According to Orr, he originally agreed to suspend the books after receiving feedback from hundreds of parents. But why did these parents feel a need to object so powerfully to these texts? Considering that kids can now get their fill of violence, abuse, sexual content, and hard language from not only the internet but basic cable as well, why would parents take such issue with their children encountering these kinds of materials in the thoughtful, more personal world of a book—especially when it’s to be an experience shepherded by a teacher, an experience intended to provoke deeper thought and consideration of such issues rather than simple titillation?
By now, most of us have read and come to love certain books that were once banned or challenged in the States for their content, books like Mark Twain’s (1884) The Adventures of Huckleberry Finn (first banned in Concord, MA in 1885 for being “trash and suitable only for the slums”); Toni Morrison’s (1987) Beloved; Ray Bradbury’s (1954) Fahrenheit 451; Ernest Hemingway’s (1940) For Whom the Bell Tolls; F. Scott Fitzgerald’s (1925) The Great Gatsby; Maurice Sendak’s (1963) Where the Wild Things Are; J.K. Rowling’s Harry Potter series; and even Dav Pilkey’s Captain Underpants series.(qtd. from Banned Books Week)
Dee Brown’s (1970) Bury My Heart at Wounded Knee: An Indian History of the American West, was also “banned by a school district official in Wisconsin in 1974 because the book might be polemical and they wanted to avoid controversy at all costs. ‘If there’s a possibility that something might be controversial, then why not eliminate it?’ the official stated.” (qtd. from Banned Books Week) This reasoning is, to me, one of the most disturbing of all. Not only is this thought process counter to all things educational, but it’s also one of the most despicable examples of “the easy way out” that I can think of, one of the most un-American, thoughtless, and cowardly.
And perhaps that’s the heart of the problem: cowardice. For what other reason could there be to attempt to ban information from kids? If material is truly that worrisome or potentially disturbing for particular children—perhaps kids who themselves have suffered abuses or traumas that would be too painful to relive through a book—then certainly there is cause to provide them with substitute options. But why should this mean banning certain books from all students of a certain school district? It’s fear—it’s the attempt to forcibly impose one’s beliefs and feelings upon others.
So, thank you to Superintendent Orr for taking responsibility and action to reverse a poor decision—thank you for agreeing to not impose the beliefs of some parents upon the children of all in your community. And thank you to all those school officials and parents who stand up regularly for their children and their children’s friends’ right to learn and explore without prejudice or fear. When we begin to fear information, education, and exploration, we become obstacles to progress—both our own and our society’s. We don’t have to like or approve of every book or be glad every book was written. But none of these feelings should give anyone the right to make such determinations for others.
Further Reading Suggestions:
- See Melissa Repko’s “Highland Park ISD reverses book suspensions at high school” with Dallas News for a breakdown of why each novel in particular was suspended
- “Banned Books That Shaped America”
- “Harry Potter Series – Selected Challenges”
- ACLU & Banned Books Week (2011): “Free People Read Freely”
- Lynn Neary, WYPR, “Too Graphic? 2014 Banned Books Week Celebrates Challenged Comics”
Learning Opportunities for Students of All Ages with Dr. Seuss
“The more that you read, the more things you will know. The more that you learn, the more places you’ll go.”
― Dr. Seuss, I Can Read With My Eyes Shut!
Dr. Theodor Seuss Geisel (a.k.a. “Dr. Seuss”) is an author whose works continue to inspire and capture the imaginations of millions of children today. Dr. Seuss was truly a fellow who knew how to reach people of all ages and how to communicate deeply complex issues in a way that basically anyone can understand.
And, while it might seem that Dr. Seuss’ books are really only tools for younger readers, elements of his style and works can be used for the benefit of students of all ages—including high school and even college students.
Here are just a few examples of how:
- Have students (middle school) reread one of Dr. Seuss’ books (maybe have each student focus on a different book), such as The Lorax. Then have them discuss/write a paper on what social issue(s) Seuss has distilled into said story and how he stylistically did so—what components of the issue did he focus on, leave out, oversimplify, explain most artfully, etc.? Then have your students take their Seuss book and their analysis thereof, and use these to write their own such story regarding the topic at hand (whether it be the same topic from their Seuss book or another topic from class). Through these activities, students are not only engaging with a funny/goofy text, but they’re actively engaging with/analyzing the techniques of different writing styles as well as learning how to distill complex problems/issues into simple terms and, perhaps most importantly, learning how to then communicate/teach/discuss these problems with others.
- For students learning about other religions or cultures, you could have them read texts like The Grinch Who Stole Christmas. Following this reading, have them analyze what cultural clashes appear to be taking place as well as what cultural/religious festivities/ideas are being celebrated, brought into question, critiqued, and so forth. Then have your students select another cultural or religious event/holiday/celebration/ritual (such as one they might be learning about in class), and have them attempt to discuss/analyze the chosen event/ritual by writing their own such Seussical work regarding the event/ritual. This will help them begin thinking more critically about what they’re learning, how to communicate it with others, and help them to better realize all the rich nuances of different cultural/religious events/rituals.
- For education students or students interested in teaching, perhaps have them take one of Seuss’ books such as Horton Hears a Who!, and analyze why Dr. Seuss made each of the choices he did throughout the text given the particular lesson/moral he had in mind. Why did he choose an elephant as the protagonist? Why a bird as the flighty (pun intended), unfeeling mother? Why does the bird’s egg hatch out a half-elephant? What problems/ideas are these choices meant to demystify for children/people and what problems/ideas do these choices themselves create? After completing said analysis, have your students take whatever problem/lesson they have at hand, and have them turn it into a Seuss-styled book aimed at illuminating certain issues for readers while also encouraging/raising new questions for them. This can help students not only bolster their reading/critical analysis skills, but also help them to see that sometimes creating space for more questions can be just as useful (if not more so) for encouraging meaningful conversation/learning than can stating facts or theories outright.
- For history students or literature students, you could have them analyze various of Dr. Seuss’ books in relation to the author and his biography/background. This has the potential to open meaningful discussion regarding the importance of discussing or not discussing texts in relation to their authors as well as discussion regarding the importance of being culturally and historically literate before approaching texts.
- For students of marketing, activism, or media, it could be fun and fascinating to have them analyze how various of Dr. Seuss’ works have been used in recent years to market different products and ideas outside the books themselves (such as using the title character from The Lorax to pitch and promote various supposedly “green” products). This will not only enable students to meaningfully engage with vital contemporary issues, but will also give them an opportunity to discuss how advertising and media can warp, muddy, or clarify issues, messages, and causes for either better or worse.
- For film and literature students, it could be beneficial to open discussions of book and film adaptations by looking at those of Dr. Seuss’ works that have been adapted to film and how successful or unsuccessful those adaptations were (in all the possible meanings of the word “successful”).
So, as you can see, Dr. Seuss’ works continue to offer a cornucopia of learning possibilities for students of all ages, interests, and backgrounds.
Further Readings/Ideas:
- At Seussville.com you can find all manner of books, lesson plans, and classroom activities based on Dr. Seuss’ works.
- Mother Jones: The Lorax: Blowing Smogulous Smoke
- BrainPop: Dr. Seuss Activities for Kids
- Seventh Generation: Dr. Seuss’ The Lorax on our Diapers? What’s Going On?
- Random House Kids
- PBS Kids
- IHOP Invites America to Plant Three Million Trees in Celebration of the Release of Universal Pictures and Illumination Entertainment’s 3D-CG Feature, Dr. Seuss’ The Lorax
- The Guardian: Why don’t Dr Seuss’s books make good movies?
Gig: A Book for Students & Parents Curious to Explore Unique Careers
Gig: Americans Talk About Their Jobs, edited by John Bowe, Marisa Bowe, and Sabin Streeter, is a tremendous resource that I wish I’d had as a kid growing up and thinking about what I wanted to be one day. For me, as it is with many people, the job market from my perspective as a high schooler was simply College. It had nothing to do with actual jobs. And when I was queried about what I’d do with my college degree? I’d just shrug and rattle off the usual suspects: teacher, activist, artist, etc.
And, while there’s certainly nothing wrong with this line of thinking or focusing on these (great!) jobs as possible careers, it was an incredibly limited view of the world and all that it can offer young, creative minds.
Thank goodness for books like Gig! Now, we don’t normally plug specific books here, but this one caught our eye as especially useful for both students and parents who may be dreading or just plain avoiding the topic of college majors and job opportunities altogether. This book is one of those rare finds that not only discusses unusual and “usual” jobs, but which actually provides honest (sometimes hilarious and sometimes heartbreaking) first-hand accounts of what it’s like to work these jobs from people who have been working them for years. As soon as I came across this book, I knew it was perfect for both students (of all ages) and parents as a tool to not only expand their thinking of their own potential but of the potential of jobs/careers that are not often thought of or considered desirable (such as long-distance truck driving or hatter work).
But, of course, more than jobs–this is a book of passions. Finding and practicing one’s passion in a career can be hard to accomplish–after all, it’s hard enough to even recognize the face(s) of one’s “true” passion(s) (especially at so early a stage in life as high school or college). This book includes narratives of some workers who are thrilled with their work and of others who are consistently disappointed in it. What’s most impressive, however, is that these narratives don’t leave things at “I don’t like it” or “It’s great!” These narratives truly explore the ins-and-outs of different careers and why they’d work for some and be nightmares for others. If you’re looking for nuanced views of wild and varied jobs, then this is definitely a book to check out.
Even Ira Glass (the guy with one of the coolest jobs in the U.S. as host of This American Life), raved that Gig was “…surprising and entertaining and makes the world seem like a bigger and more interesting place. Gig manages to document everyday life and give pure narrative pleasure at the same time. One feels proud to live in the same country as the people in this book.”
And, having read the book and felt both relief and envy at the many tales captured within, I couldn’t agree more. In other words, it’s a book that can help students begin learning about careers that require and don’t require college degrees, jobs that could take them all over the world, jobs that they may have misjudged for better or worse, and jobs that they may have never even known existed.
As Andrew Ross, Director of the American Studies Program at New York University, said of Gig: “In the age of advanced spin, this book accomplishes a very rare thing. It actually lets workers speak for themselves. . . . The result makes for a fascinating read.”
So, if you’re having trouble getting your students/kids excited about college or their career potential (or considering a new career move for yourself whether you’re a parent or child), this book is definitely a great way to spark a more nuanced and thoughtful conversation regarding the whole wild craze of career building and job searching.